Wednesday, January 28, 2009

working things out



I may not even sure i will bring this piece into class but I feel like exposing my train of thought. Maybe you guys can give me some feed back.

This piece is the opposite... I think, of what I am working on in my other paintings. Instead of the self portrait, meant to convey awarness of self, yet a lack of self consciousness and to invite you into more than the physical body, this painting portrays the idea that when we become too conscious of our own bodies, we become obsessed with them and loose an honesty which lies withing focusing on who we and letting go of what we are.

I think I am making these paintings in order to respond to them by making my whole other body of work. I find it a bit interesting how I could spend so much time on something i dislike so much that i will make a whole other body of work to counteract it. ??? Maybe they ought to be shown together in order to have a dialog going on between them? maybe these two paths are one in the same? I do get myslef so caught up in thought... such is the job I suppose.

Tuesday, January 27, 2009

work of art in the age of mechanical reproduction

Here is a link to the article by Walter Benjamin. This is a bit dense, but try to read through it. It is required reading.
Liz

http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm

Monday, January 26, 2009

just a little thing

http://www.richardheipp.com/

this is a professor at UF. I just thought his statement about his paintings were similar to our discussion today about the Photorealists.

Gerhard Richter and painting from photos

In regard to our visit to the photorealism show at the Boca Museum, I would like us to get a little bit more familiar with the ideas of a photo painter decidedly not in the show, Gerhard Richter.
I am posting some links here. The first is quite a long interview with Rob Storr, which took place before his Moma Retrospective.

http://findarticles.com/p/articles/mi_m1248/is_1_90/ai_82012868/pg_1?tag=artBody;col1

this is a link to his official website with a vast array of his paintings for viewing:

http://www.gerhard-richter.com/

When you look at them, note how they are different and how they are similar to what we viewed at the Photorealism show.
Go to the bibliography section and look at the quotes, there are a few good ones from The Daily Practice of Painting (if you have the funds, buy the book)

and from the book:
The photograph took the place of all those paintings, drawings and illustrations that served to provide information about the reality they represented. A photograph does this more reliably and credibly than any painting. ...Photography altered ways of seeing and thinking. Photographs were regarded as true, paintings as artificial. The painted picture was no longer credible... pg 31.

See you in class

Saturday, January 24, 2009

Other interests informing your painting?

Hey everyone, I was just thinking about how fortunate I am currently to have my print work inform and really reinvigorate my painting. Honestly I was at a point where I was so frustrated with painting that I never wanted to do it and then I started to get into printmaking and finally found some sort of direction in my work. I was wondering about all of your artistic pursuits outside of painting and how it relates to your work...

Thursday, January 22, 2009

A Conversation on The Presentation of Art

A Conversation on the Presentation of Art:

The arrangement of the artist’s work is critical- from class critiques to art exhibitions (on campus or off, in a gallery, perhaps?). The placement of one’s compositions can potentially make or break the series. One must take into account many elements w/ in this realm of art planning. The placement of my work or your work is an art form in itself. I pose the following ideas and questions. Consider it art food for art thought.

Does the presentation of the artwork- help move one’s eye through the work, sufficiently? Does the presentation continue the dialogue? - Does it convey the best message of your work from one panel to the other? How important a role does this presentation play- in helping to establish your artwork, in your own style/ your own element, in this contemporary art world, of ours?

Art is a dialogue-between artist and canvas & between the art and the viewer. As I continue to display my work, I observe the essential nature of the presentation process. What works? What doesn’t? There are many elements to consider in terms of presentation. Color scheme (Do colors clash?) Narrative/storytelling, textural patterns, subject matter, cropping of an image w / in the work, etc.. The pieces may work well alone or together. Now I can see the future “problems” as something good in the forming of my work. It motivates and challenges. I always like an artistic challenge. Please feel free to add your ideas, everyone.

Re:Blogging

FYI.....
If you are starting a new thought(a new post to the blog) use the New Post option.
To comment on a blog already posted by a member use the comment link at the bottom of that post.
There are a series of new posts and comments to those posts under my Rantings.

No one in our group will see these posts unless they are following the Rantings post.

Wednesday, January 21, 2009

i having trouble posting so this is just a test ya'll

Tuesday, January 20, 2009

Rantings

Art, like most everything that survives, evolves. From the beginnings of the twentieth century we have seen a real mutation. The reductionism, that began with Cezanne, non-objective subject, complete with the return to the two dimensional space where painting actually exists was a giant step. Coupled with the effects of technology, especially photography and digital media it continues the rebelling against and assaulting of preconceived definitions of art.
H.H. Arnason in History of Modern Art describes the effects of the spreading hysteria of the first World War and the profound reaction of the Zurich Dada’s as, “...making a critical examination of the traditions, premises, rules, logical basis, even the concepts of order, coherence, and beauty that had guided the creation of the arts throughout history and remained central to the enterprise of high-minded, utopian modernism.”
The destruction of conventions as a reaction to the brutality and nihilist attitude that ebbs in and out of our world history is well documented.
The twenty first century has given artists the same reasons to react, change and reinvent as a necessity for relevance, continued growth and existence.
There are many reasons to be a painter. It can be recreation to your life or the world, a desire to master techniques and skills for personnal satisfaction, the need for expression, not really understanding why, just the need to create or any combination of the above.
George Santayana said, “An artist is a dreamer consenting to dream of the actual world”.
I have found that intuitively forming concepts of our contemporary culture and our society, much more interested in masking itself in appearances than in truth, tend to require a darker palette and vision.
The rant is almost over. Final thoughts (nothing original)from your peer well into the autumn of his life.
Don’t be afraid of taking chances; nothing new comes at the ends of paths well traveled. I don’t agree with the concept of there's nothing new. Nam June Paik didn’t either. I understand it’s not likely but it will never happen if people stop trying or worry about looking foolish. You can look foolish without trying so there is not much to lose i.e. I am actually thinking about posting this rant.
Try again, fail again, and fail better (That’s from a book title that’s better than the book) but there is a lot of truth there. Art doesn’t always need truth but it always needs the critical examination of rules and relevance. Saying that I am grateful for a room full of classmates and an instructor who my intuition tells me will be remembered for their influence and patience!
The rant is over....for now.

Monday, January 19, 2009

Bob Ross Thoughts

I grew up watching Bob Ross and his Joy of Painting series and I always found it to be a relaxing half hour. With his painting series, he brought oil painting to the masses in that he developed simplified techniques that allowed people to join the art world. He also taught that painting should make you happy and that you should always paint what you like...Something I find more and more true everyday.

These are just some of my musings. I am posting this just to get to see what you think of Bob Ross...Both good and bad.

Saturday, January 17, 2009

Q & A, Interviews with the Artists (Elizabeth Murray)

I have been studying the work of Elizabeth Murray, more recently, since her name was mentioned during my critique. I did multiple searches about her view on her work and art. I stumbled across a very interesting Q & A – an online transcript of an interview with the artist,

I thought I would share the link w/ you all:
http://www.artchive.com/artchive/M/murray.html

I found discussion on the evolutionary process of her art- to be very insightful. I was upset to find out that she had passed away last yr. But I believe her spirit shall live on through her artwork :)

Friday, January 16, 2009

show openings

I was so nervous to go to my own show! I felt like the spotlight may burn right through me. I played it low key at first and answered the questions I was confronted with well enough. As the night progressed I felt a bit more comfortable and it was good to meet and talk to new people who were enthusiastic about my work. I realize more so know than I have before that putting yourself out there feels really good. And also that critique feels good. I had been so nervous about it to be truthful. But now I am most excited to invite people into my thoughts and let them inspire, suggest help to and encourage me. You can only progress a conversation if you speak out and once you do your faced with a whole new argument to realize and ascend to.

Jerrys sale

Hey guys i figured i'd post this up here- i was at jerrys artarama today ( on federal) and they had a ton of "imperfect" canvases fort sale up from for $2 each, theyre not in bad shape at all. i think there are 3 sizes and theyre pretty big- its a great deal! Just thought id let everyone know

Thursday, January 15, 2009

Old article...

I read/posted this on my other blog awhile back but I figured that I would post it here:

http://www.guardian.co.uk/artanddesign/2008/jul/03/art2

It's about Jeff Koons being exhibited at Versailles. I personally can't stand the guy but it's still an interesting insight into the juxtaposition of contemporary art with the past/tradition/etc.

Wednesday, January 14, 2009

Traditional Methods

Since we were discussing the use of rabbit skin glue in class the other day, I thought others might want a resource. www.sinopia.com is a great website for all sorts of traditional media including pigments, rabbit skin and fish glues and all the accompanying materials to make traditional grounds. They even have recipes. Another great site is www.iconboards.com. They have pre-gessoed panels using the traditional rabbit skin glue recipe on both smooth panel and birch plywood. I know this is excellent quality as other professors have worked with this company.

Tuesday, January 13, 2009

Context

Here is an interesting article about an experiment that the Washington Post did a while back. http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html

It is an interesting investigation into the importance of context for our work, the relevance of art to day to day life, and the ability of our culture to appreciate good work.

Usernames...

Hey everyone, I thought that i would start a post so that we could all make known who we were by username so as to prevent confusion. Some people have names that point to them obviously but others of us don't. For example, I'm Nina and my username is this one, BlurOfColor.

Art Quotes

I'm sure that a lot of you have heard of/seen this site before but I thought that I would post for anyone who hasn't. There are lots of great quotes...

http://www.artquotes.net/

Monday, January 12, 2009

Painting Literature

Recently I came across a very good reference book about oil paints. It is called "The Oil Colour Book: A comprehensive resource for painters".

It was published by Winsor&Newton and it focuses on their line of oil paints, including the water mixable type. The book covers everything from a brief history of oil paints, to the differences of student v. professional paints, technical information on colors, mediums and solvents, brushes, and even application techniques. In the back of the book, there are excellent "usage tables" that show compatibility of mediums and paints and even composition tables about each color. This is not a how-to book, rather, as the name implies, a resource book that is quick to read and a great reference to have.

guerra paint

A great resource for amazing pigments and mediums. http://www.guerrapaint.com/

Sunday, January 11, 2009

Quotable quotes

"There are painters who transform the sun into a yellow spot, but there are others who, through their art and intelligence, transform a yellow spot into the sun."-Pablo Picasso

"The aim of every artist is not to conform to the history of art, but to release himself from it in order to replace it with his own history."-Harold Rosenberg